REID (180g Vinyl)

TRPTK vinyl productions are all done on ultra-high-quality 180-grams vinyl, using Direct Metal Mastering (DMM) technology cutting straight from the DXD 32bit master. This way, no detail gets lost in conversion, and you get to enjoy the beautiful analog sound of vinyl combined with the ultra-high-fidelity of our digital techniques.

As much as I try to find the right words to describe the intention behind this album, I repeatedly come to a dead end. It is as if I go for a walk through a deep forest: one part of me wants to get lost in unknown territory, while another part of me lingers on the familiar. By trying to make meaning of the world around me, I search for compositions that reflect something eternal, irresistible to change and corruption.

Reid means this journey, the feeling that one world dies somewhere, and a new one emerges with every blink of my eyes. Through this album, I want to take you along on this journey through the worlds of contemporary composers Michael Gordon, Fjóla Evans, Giovanni Sollima, John Tavener, and David Lang.

Our travels start with Light Is Calling by Michael Gordon, written in the aftermath of the terrorist attacks on September 11, 2001. Living so close to Ground Zero, he wanted to make something beautiful after witnessing something so ugly and tragic. The composition juxtaposes the sound of an acoustic cello with electronic pulses played backward, like a heart beating throughout the entire piece.

Maya Fridman – Cello & Vocals

Fieke van den Hurk – Harmonium & Tape Track for “Reid – Hagall – Bjarkan”

Cello Ensemble on “Wake Up and Die”
Kate Moore
Emma Kroon
Maximiliano Segura Sánchez
Alena Kliuchka
Giorgos Kotsiolis
Evelien Fokker